Mercury Living Presence: The Collector's Edition, Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Vienna
#TitleArtistRatingLength
1Five Pieces for Orchestra, op. 16 (1949 Revision): I. Vorgefühle (Premonitions)
recording engineer:
C. Robert Fine (from 1962-07-19 until 1962-07-20)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1962-07-19 until 1962-07-20)
conductor:
Antal Doráti (conductor) (from 1962-07-19 until 1962-07-20)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1962-07-19 until 1962-07-20)
recording of:
Fünf Orchesterstücke, op. 16: I. Vorgefühle. Sehr rasch (from 1962-07-19 until 1962-07-20)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schoenberg2:02
2Five Pieces for Orchestra, op. 16 (1949 Revision): II. Vergangenes (Yesteryears)
recording engineer:
C. Robert Fine (from 1962-07-19 until 1962-07-20)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1962-07-19 until 1962-07-20)
conductor:
Antal Doráti (conductor) (from 1962-07-19 until 1962-07-20)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1962-07-19 until 1962-07-20)
recording of:
Fünf Orchesterstücke, op. 16: II. Vergangenes. Mässige Viertel (from 1962-07-19 until 1962-07-20)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schoenberg5:43
3Five Pieces for Orchestra, op. 16 (1949 Revision): III. Sommermorgen an einem See (Summer Morning by a Lake)
recording engineer:
C. Robert Fine (from 1962-07-19 until 1962-07-20)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1962-07-19 until 1962-07-20)
conductor:
Antal Doráti (conductor) (from 1962-07-19 until 1962-07-20)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1962-07-19 until 1962-07-20)
recording of:
Fünf Orchesterstücke, op. 16: III. Farben. Mässige Viertel (from 1962-07-19 until 1962-07-20)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schoenberg3:39
4Five Pieces for Orchestra, op. 16 (1949 Revision): IV. Peripetie (Peripetia)
recording engineer:
C. Robert Fine (from 1962-07-19 until 1962-07-20)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1962-07-19 until 1962-07-20)
conductor:
Antal Doráti (conductor) (from 1962-07-19 until 1962-07-20)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1962-07-19 until 1962-07-20)
recording of:
Fünf Orchesterstücke, op. 16: IV. Peripetie. Sehr rasch (from 1962-07-19 until 1962-07-20)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schoenberg2:34
5Five Pieces for Orchestra, op. 16 (1949 Revision): V. Das obligate Rezitativ (The Obligatory Recitative)
recording engineer:
C. Robert Fine (from 1962-07-19 until 1962-07-20)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1962-07-19 until 1962-07-20)
conductor:
Antal Doráti (conductor) (from 1962-07-19 until 1962-07-20)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1962-07-19 until 1962-07-20)
recording of:
Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ. Bewegte Achtel (from 1962-07-19 until 1962-07-20)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schoenberg3:27
6Five Pieces for Orchestra, op. 10: I. Sehr ruhig und zart - II. Lebhaft und zart bewegt - III. Sehr langsam und äußerst ruhig - IV. Fliessend äusserst zart - V. Sehr fliessend
recording engineer:
C. Robert Fine (on 1962-07-22)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (on 1962-07-22)
conductor:
Antal Doráti (conductor) (on 1962-07-22)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1962-07-22)
recording of:
5 Pieces for Orchestra, op. 10 (Five Pieces for Orchestra, op. 10) (on 1962-07-22)
composer:
Anton Webern (composer) (in 1913)
part of:
Works of Anton Webern by opus number (number: op. 10)
Arnold Schoenberg4:16
7Three Pieces for Orchestra, op. 6: I. Praeludium (Prelude)
recording engineer:
C. Robert Fine (from 1962-07-14 until 1962-07-21)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-21)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-21)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1962-07-14 until 1962-07-21)
recording of:
Drei Orchesterstücke, op. 6: I. Präludium (Three Pieces for Orchestra, op. 6: I. Prelude) (from 1962-07-14 until 1962-07-21)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Anton Webern4:23
8Three Pieces for Orchestra, op. 6: II. Reigen (Round Dance)
recording engineer:
C. Robert Fine (from 1962-07-14 until 1962-07-21)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-21)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-21)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1962-07-14 until 1962-07-21)
recording of:
Drei Orchesterstücke, op. 6: II. Reigen (Three Pieces for Orchestra, op. 6: II. Round Dance) (from 1962-07-14 until 1962-07-21)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Anton Webern5:03
9Three Pieces for Orchestra, op. 6: III. Marsch (March)
recording engineer:
C. Robert Fine (from 1962-07-14 until 1962-07-21)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-21)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-21)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1962-07-14 until 1962-07-21)
recording of:
Drei Orchesterstücke, op. 6: III. Marsch (Three Pieces for Orchestra, op. 6: III. March) (from 1962-07-14 until 1962-07-21)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Anton Webern8:53
10"Lulu" Suite: I. Rondo
engineer:
C. Robert Fine (from 1961-06-19 until 1961-06-24)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: I. Rondo: Andante (Introduzione) - Hymne: Sostenuto (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg16:22
11"Lulu" Suite: II. Ostinato
engineer:
C. Robert Fine (from 1961-06-19 until 1961-06-24)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: II. Ostinato: Allegro (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg3:43
12"Lulu" Suite: III. Lulu's Song
engineer:
C. Robert Fine (from 1961-06-19 until 1961-06-24)
producer:
Harold Lawrence
soprano vocals:
Helga Pilarczyk (soprano) (from 1961-06-19 until 1961-06-24)
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: III. Lied der Lulu: Comodo (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (Austrian composer) (in 1934)
dedicated to:
Anton v. Webern zum 50. Geburtstag (composer)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg2:14
13"Lulu" Suite: IV. Variations
engineer:
C. Robert Fine (from 1961-06-19 until 1961-06-24)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: IV. Variationen: Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito tempo moderato (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg4:36
14"Lulu" Suite: V. Adagio
engineer:
C. Robert Fine (from 1961-06-19 until 1961-06-24)
producer:
Harold Lawrence
soprano vocals:
Helga Pilarczyk (soprano) (from 1961-06-19 until 1961-06-24)
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: V. Adagio: Sostenuto - Lento - Grave (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg8:59
2▼CD: Dorati conducts Respighi
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1The Birds: I. Prelude
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: I. Preludio (The Birds: I. Prelude, Prelude) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Arie in C per organo o clavicembalo No. 2
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi3:04
2The Birds: II. The Dove
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: II. La Colomba (The Birds: II. The dove, The dove) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi4:22
3The Birds: III. The Hen
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: III. La Gallina (The Birds: III. The hen, The hen) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Nouvelles Suites de Pièces de Clavecin: La Poule
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi3:02
4The Birds: IV. The Nightingale
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: IV. L'Usignuolo (The Birds: IV. The nightingale, The nightingale) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi4:24
5The Birds: V. The Cuckoo
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: V. Il Cucù (The Birds: V. The cuckoo, The cuckoo) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi4:15
6Brazilian Impressions: I. Tropical Night
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-05)
recording of:
Impressione brasiliane: I. Notte tropicale (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Impressione brasiliane
Ottorino Respighi9:48
7Brazilian Impressions: II. Butantan
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-05)
recording of:
Impressione brasiliane: II. Butantan (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Impressione brasiliane
Ottorino Respighi4:47
8Brazilian Impressions: III. Song and Dance
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-05)
recording of:
Impressione brasiliane: III. Canzone e danza (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Impressione brasiliane
Ottorino Respighi4:34
9The Fountains of Rome: I. The Fountain of Valle Giulia
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-19)
recording of:
Fontane di Roma, P 106: I. La fontana di Valle Giulia all'alba (on 1960-04-19)
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106 (Fountains of Rome)
Ottorino Respighi4:10
10The Fountains of Rome: II. The Triton Fountain
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-19)
recording of:
Fontane di Roma, P 106: II. La fontana del Tritone al mattino (on 1960-04-19)
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106 (Fountains of Rome)
Ottorino Respighi2:12
11The Fountains of Rome: III. The Fountain of Trevi
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-19)
recording of:
Fontane di Roma, P 106: III. La fontana di Trevi al meriggio (on 1960-04-19)
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106 (Fountains of Rome)
Ottorino Respighi3:40
12The Fountains of Rome: IV. The Villa Medici Fountain
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-19)
recording of:
Fontane di Roma, P 106: IV. La fontana di Villa Medici al tramonto (on 1960-04-19)
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106 (Fountains of Rome)
Ottorino Respighi5:28
13The Pines of Rome: I. The Pines of Villa Borghese
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-19)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese (on 1960-04-19)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi2:43
14The Pines of Rome: II. The Pines near a Catacomb
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-19)
recording of:
Pini di Roma, P 141: II. Pini presso una catacomba (on 1960-04-19)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi5:34
15The Pines of Rome: III. The Pines of the Janiculum
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-19)
recording of:
Pini di Roma, P 141: III. I pini del Gianicolo (on 1960-04-19)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi5:37
16The Pines of Rome: IV. The Pines of the Appian Way
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-19)
recording of:
Pini di Roma, P 141: IV. I pini della Via Appia (on 1960-04-19)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi5:25
3▼CD: Bartók: Concerto for Orchestra / Dance Suite / Two Portraits, Op. 5 / Mikrokosmos: Bourrée and From the Diary of a Fly
#TitleArtistRatingLength
1Concerto For Orchestra: I. Introduzione (Andante non troppo - Allegro vivace)
associate engineer:
Robert Eberenz (on 1962-07-03)
engineer:
C. Robert Fine (on 1962-07-03: task: technical supervisor)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (on 1962-07-03)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:37
2Concerto For Orchestra: II. Giuoco della coppie (Allegretto scherzando)
associate engineer:
Robert Eberenz (on 1962-07-03)
engineer:
C. Robert Fine (on 1962-07-03: task: technical supervisor)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (on 1962-07-03)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:18
3Concerto For Orchestra: III. Elegia (Andante, non troppo)
associate engineer:
Robert Eberenz (on 1962-07-03)
engineer:
C. Robert Fine (on 1962-07-03: task: technical supervisor)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (on 1962-07-03)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:15
4Concerto For Orchestra: IV. Intermezzo interrotto (Allegretto)
associate engineer:
Robert Eberenz (on 1962-07-03)
engineer:
C. Robert Fine (on 1962-07-03: task: technical supervisor)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (on 1962-07-03)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:26
5Concerto For Orchestra: V. Finale (Presto)
associate engineer:
Robert Eberenz (on 1962-07-03)
engineer:
C. Robert Fine (on 1962-07-03: task: technical supervisor)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (on 1962-07-03)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:40
6Dance Suite: I. Moderato
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: I. Moderato (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:32
7Dance Suite: II. Allegro molto
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: II. Allegro molto (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:17
8Dance Suite: III. Allegro vivace
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:49
9Dance Suite: IV. Molto tranquillo
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:10
10Dance Suite: V. Comodo - VI. Finale (Allegro)
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
recording of:
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók5:01
11Two Portraits, op. 5: I. "Ideal"
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Two Portraits, op. 5: 1. One Ideal. Andante (from 1958-06-10 until 1958-06-11)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Two Portraits, Sz. 37, BB 48b, op. 5
Béla Bartók10:17
12Two Portraits, op. 5: II. "Distorted"
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Two Portraits, op. 5: 2. One Grotesque (from 1958-06-10 until 1958-06-11)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Two Portraits, Sz. 37, BB 48b, op. 5
Béla Bartók2:54
13Mikrokosmos: I. Bourrée (No. 117, Book IV)
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 117: Bourrée (for orchestra, arr. Tibor Serly)
orchestrator:
Tibor Serly
composer:
Bartók Béla (Béla Bartók, composer)
orchestration of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 117: Bourrée
Béla Bartók1:56
14Mikrokosmos: II. From the Diary of a Fly (No. 142, Book VI)
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-10 until 1958-06-11)
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 142: From the Diary of a Fly (for orchestra, arr. Tibor Serly)
orchestrator:
Tibor Serly
composer:
Bartók Béla (Béla Bartók, composer)
orchestration of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 142: From the Diary of a Fly
Béla Bartók2:22
4▼CD: Respighi: Ancient Airs & Dances
#TitleArtistRatingLength
1Antiche danze ed arie, Suite no. 1 for orchestra: I. Balletto detto « Il Conte Orlando »
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 1: I. Balletto detto "Il Conte Orlando" (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1917)
part of:
Ancient Airs and Dances Suite no. 1
Ottorino Respighi3:10
2Antiche danze ed arie, Suite no. 1 for orchestra: II. Gagliarda
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 1: II. Gagliarda (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1917)
part of:
Ancient Airs and Dances Suite no. 1
Ottorino Respighi3:54
3Antiche danze ed arie, Suite no. 1 for orchestra: III. Villanella
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 1: III. Villanella (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1917)
part of:
Ancient Airs and Dances Suite no. 1
Ottorino Respighi5:14
4Antiche danze ed arie, Suite no. 1 for orchestra: IV. Finale: Passo mezzo e Mascherada
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 1: IV. Passo mezzo e mascherada (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1917)
part of:
Ancient Airs and Dances Suite no. 1
Ottorino Respighi4:15
5Antiche danze ed arie, Suite no. 2 for orchestra: I. « Laura soave » - Balletto con gagliarda, saltarello e canario
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 2: I. Laura soave (Balletto con gagliarda, saltarello e canario) (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1923)
part of:
Ancient Airs and Dances Suite no. 2
Ottorino Respighi4:07
6Antiche danze ed arie, Suite no. 2 for orchestra: II. Danza rustica
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 2: II. Danza rustica (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1923)
part of:
Ancient Airs and Dances Suite no. 2
Ottorino Respighi4:13
7Antiche danze ed arie, Suite no. 2 for orchestra: III. « Campanae parisienses » - Aria (« sopra Les cloches de Paris »)
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 2: III. Campanae parisienses - Aria (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1923)
part of:
Ancient Airs and Dances Suite no. 2
Ottorino Respighi5:11
8Antiche danze ed arie, Suite no. 2 for orchestra: IV. Bergamasca
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 2: IV. Bergamasca (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1923)
part of:
Ancient Airs and Dances Suite no. 2
Ottorino Respighi5:44
9Antiche danze ed arie, Suite no. 3 for strings: I. Italiana
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: I. Italiana (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi3:43
10Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (a) « C'est malheur que de vous aymer » - Andante cantabile
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi1:58
11Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (b) « Adieu bergere pour iamais » - Allegretto
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi0:27
12Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (c) « Beaux yeux qui me voyes clairement » - Vivace
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi0:45
13Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (d) « La voila la nacelle d'amour ou ma maitresse arrive » - Lento con grande espressione
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi1:28
14Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (e) « Quelle divinité s'imprime dans mon ame » - Allegro vivace
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi0:15
15Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (f) « Si c'est pour mon pucellage que vous me faites l'amour » - Vivacissimo
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi0:42
16Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (g) Andante cantabile
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi2:14
17Antiche danze ed arie, Suite no. 3 for strings: III. Siciliana
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: III. Siciliana (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi3:05
18Antiche danze ed arie, Suite no. 3 for strings: IV. Passacaglia
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: IV. Passacaglia (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi4:09
5▼CD: Dvořák: Symphony No. 7 in D minor / Symphony No. 8 in G major
#TitleArtistRatingLength
1Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
engineer:
C. Robert Fine (from 1963-07-17 until 1963-07-18)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1963-07-17 until 1963-07-18)
conductor:
Antal Doráti (conductor) (from 1963-07-17 until 1963-07-18)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1969)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1963-07-17 until 1963-07-18)
recording of:
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso (from 1963-07-17 until 1963-07-18)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák12:06
2Symphony no. 7 in D minor, op. 70: II. Poco adagio
engineer:
C. Robert Fine (from 1963-07-17 until 1963-07-18)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1963-07-17 until 1963-07-18)
conductor:
Antal Doráti (conductor) (from 1963-07-17 until 1963-07-18)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1969)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1963-07-17 until 1963-07-18)
recording of:
Symphony no. 7 in D minor, op. 70: II. Poco adagio (from 1963-07-17 until 1963-07-18)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák8:20
3Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno mosso
engineer:
C. Robert Fine (from 1963-07-17 until 1963-07-18)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1963-07-17 until 1963-07-18)
conductor:
Antal Doráti (conductor) (from 1963-07-17 until 1963-07-18)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1969)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1963-07-17 until 1963-07-18)
recording of:
Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso (from 1963-07-17 until 1963-07-18)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák7:55
4Symphony no. 7 in D minor, op. 70: IV. Allegro
engineer:
C. Robert Fine (from 1963-07-17 until 1963-07-18)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1963-07-17 until 1963-07-18)
conductor:
Antal Doráti (conductor) (from 1963-07-17 until 1963-07-18)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1969)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1963-07-17 until 1963-07-18)
recording of:
Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro (from 1963-07-17 until 1963-07-18)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák49:04
5Symphony no. 8 in G major, op. 88: I. Allegro con brio
engineer:
C. Robert Fine
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1959-07-19 until 1959-07-20)
conductor:
Antal Doráti (conductor) (from 1959-07-19 until 1959-07-20)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1959-07-19 until 1959-07-20)
recording of:
Symphony no. 8 in G major, op. 88: I. Allegro con brio (from 1959-07-19 until 1959-07-20)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:30
6Symphony no. 8 in G major, op. 88: II. Adagio
engineer:
C. Robert Fine
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1959-07-19 until 1959-07-20)
conductor:
Antal Doráti (conductor) (from 1959-07-19 until 1959-07-20)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1959-07-19 until 1959-07-20)
recording of:
Symphony no. 8 in G major, op. 88: II. Adagio (from 1959-07-19 until 1959-07-20)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:27
7Symphony no. 8 in G major, op. 88: III. Allegretto grazioso
engineer:
C. Robert Fine
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1959-07-19 until 1959-07-20)
conductor:
Antal Doráti (conductor) (from 1959-07-19 until 1959-07-20)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1959-07-19 until 1959-07-20)
recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (from 1959-07-19 until 1959-07-20)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák5:26
8Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
engineer:
C. Robert Fine
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1959-07-19 until 1959-07-20)
conductor:
Antal Doráti (conductor) (from 1959-07-19 until 1959-07-20)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1959-07-19 until 1959-07-20)
recording of:
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo (from 1959-07-19 until 1959-07-20)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:05
6▼CD: Gershwin: An American in Paris / Copland: Rodeo: Four Dance Episodes / Schuller: Seven Studies on Themes of Paul Klee / Bkich Sinfonia Breve
#TitleArtistRatingLength
1An American in Paris
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1957-12-20)
recording of:
An American in Paris (on 1957-12-20)
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, United States (on 1928-12-13)
included in:
An American in Paris (2015 Broadway musical)
George Gershwin16:18
2Rodeo, Four Dance Episodes: I. Buckaroo Holiday
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1957-12-20)
recording of:
Rodeo: I. Buckaroo Holiday (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland8:03
3Rodeo, Four Dance Episodes: II. Corral Nocturne
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1957-12-20)
recording of:
Rodeo: II. Corral Nocturne (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:26
4Rodeo, Four Dance Episodes: III. Saturday Night Waltz
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1957-12-20)
recording of:
Rodeo: III. Saturday Night Waltz (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland4:05
5Rodeo, Four Dance Episodes: IV. Hoe-Down
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1957-12-20)
recording of:
Rodeo: IV. Hoedown (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:33
6Seven Studies on Themes of Paul Klee: I. Antique Harmonies
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 1: Antique Harmonies (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:23
7Seven Studies on Themes of Paul Klee: II. Abstract Trio
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 2: Abstract Trio (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller1:47
8Seven Studies on Themes of Paul Klee: III. Little Blue Devil
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller3:22
9Seven Studies on Themes of Paul Klee: IV. The Twittering-machine
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 4: The Twittering-machine (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:05
10Seven Studies on Themes of Paul Klee: V. Arab Village
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 5: Arab Village (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller6:29
11Seven Studies on Themes of Paul Klee: VI. An Eerie Moment
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 6: An Eerie Moment (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:06
12Seven Studies on Themes of Paul Klee: VII. Pastorale
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 7: Pastorale (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller3:02
13Sinfonia Breve: I. Moderato
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-17)
recording of:
Sinfonia Breve: I. Moderato (on 1960-04-17)
composer:
Ernest Bloch (Swiss-American composer)
Ernest Bloch5:20
14Sinfonia Breve: II. Andante
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-17)
recording of:
Sinfonia Breve: II. Andante (on 1960-04-17)
composer:
Ernest Bloch (Swiss-American composer)
Ernest Bloch4:55
15Sinfonia Breve: III. Allegro molto
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-17)
recording of:
Sinfonia Breve: III. Allegro molto (on 1960-04-17)
composer:
Ernest Bloch (Swiss-American composer)
Ernest Bloch4:04
16Sinfonia Breve: IV. Allegro deciso
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-17)
recording of:
Sinfonia Breve: IV. Allegro deciso (on 1960-04-17)
composer:
Ernest Bloch (Swiss-American composer)
Ernest Bloch4:31
7▼CD: Satie: Parade / Milhaud: Le Bœeuf sur le toit / Auric: Ouverture / Françaix: Concerinoto for Piano & Orchestra / Fetler: Contrasts for Orchestra
#TitleArtistRatingLength
1Parade
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1965-08-04 until 1965-08-06)
recording of:
Parade (from 1965-08-04 until 1965-08-06)
composer:
Erik Satie (French composer) (in 1917)
premiered at:
Théâtre du Châtelet in Paris, Île-de-France, France (on 1917-05-18)
Erik Satie14:37
2Le Bœuf sur le toit
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1965-08-04 until 1965-08-06)
recording of:
Le Bœuf sur le toit, op. 58 (from 1965-08-04 until 1965-08-06)
composer:
Darius Milhaud (composer) (in 1919)
part of:
Works of Darius Milhaud by opus number (number: op. 58)
Darius Milhaud18:45
3Ouverture
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1965-08-04 until 1965-08-06)
recording of:
Overture (from 1965-08-04 until 1965-08-06)
composer:
Georges Auric (composer)
Georges Auric8:01
4Concerinoto for Piano and Orchestra: I. Presto leggiero
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1965-08-04 until 1965-08-06)
recording of:
Concertino pour piano et orchestre: I. Presto leggiero (from 1965-08-04 until 1965-08-06)
composer:
Jean Françaix (French composer) (in 1932)
part of:
Concertino pour piano et orchestre
Jean Françaix1:56
5Concerinoto for Piano and Orchestra: II. Lent
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1965-08-04 until 1965-08-06)
recording of:
Concertino pour piano et orchestre: II. Lent (from 1965-08-04 until 1965-08-06)
composer:
Jean Françaix (French composer) (in 1932)
part of:
Concertino pour piano et orchestre
Jean Françaix1:44
6Concerinoto for Piano and Orchestra: III. Allgretto: Rondeau
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1965-08-04 until 1965-08-06)
recording of:
Concertino pour piano et orchestre: III. Allegretto (from 1965-08-04 until 1965-08-06)
composer:
Jean Françaix (French composer) (in 1932)
part of:
Concertino pour piano et orchestre
recording of:
Concertino pour piano et orchestre: IV. Rondeau (from 1965-08-04 until 1965-08-06)
composer:
Jean Françaix (French composer) (in 1932)
part of:
Concertino pour piano et orchestre
Jean Françaix4:25
7Contrasts for Orchestra: I. Allegro con forza
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-17)
recording of:
Contrasts for Orchestra: I. Allegro con forza (on 1960-04-17)
composer:
Paul Fetler (American composer) (in 1958)
part of:
Contrasts for Orchestra
Paul Fetler4:07
8Contrasts for Orchestra: II. Adagio
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-17)
recording of:
Contrasts for Orchestra: II. Adagio (on 1960-04-17)
composer:
Paul Fetler (American composer) (in 1958)
part of:
Contrasts for Orchestra
Paul Fetler5:27
9Contrasts for Orchestra: III. Scherzo: Allegro ma non troppo
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-17)
recording of:
Contrasts for Orchestra: III. Scherzo (Allegro ma non troppo) (on 1960-04-17)
composer:
Paul Fetler (American composer) (in 1958)
part of:
Contrasts for Orchestra
Paul Fetler4:00
10Contrasts for Orchestra: IV. Allegro marciale - Presto
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, United States (on 1960-04-17)
recording of:
Contrasts for Orchestra: IV. Allegro marciale - Presto (on 1960-04-17)
composer:
Paul Fetler (American composer) (in 1958)
part of:
Contrasts for Orchestra
Paul Fetler4:59
8▶CD: Tchaikovsky: Symphony No. 6 "Pathétique" / Romeo & Juliet
9▶CD: Béla Bartók: The Wooden Prince / Music for Strings, Percussion and Celesta
10▶CD: Bartók: The Miraculous Mandarin / Sonata for 2 Pianos and Percussion / Divertimento
11▶CD: Tchaikovsky: Symphony No.4 / Francesca da Rimini
12▶CD: Beethoven: Symphonies 5 and 6 "Pastoral"
13▶CD: Antal Dorati Conducts Albéniz: Iberia / Falla: La Vida Breve, Interlude & Dance No.1 / Moussorgsky: Prelude & Dance of the Persian Slaves / Smetana: The Bartered Bride, Overture & Dances
14▶CD: Bartók: The Miraculous Mandarin, Suite / Kodály: Peacock Variations / Hindemith: Symphonic Metamorphosis / Schoenberg: Five pieces, Op. 16
15▶CD: Beethoven: Symphony No.7 / Overtures "Egmont" & "Leonore 3" / "Consecration of the House"
16▶CD: Tchaikovsky: Swan Lake complete Ballet
17▶CD: Tchaikovsky: Swan Lake complete Ballet
18▶CD: Delibes: Coppélia / Sylvia
19▶CD: Delibes: Coppélia / Sylvia
20▶CD: Delibes: Coppélia / Sylvia
21▶CD: Marcel Dupré Recital
22▶CD: Frederick Fennell conducts the music of Leroy Anderson
23▶CD: Grainger: Lincolnshire Posy / Hill Song No.2 / Persichetti: Symphony for Band / Khachaturian: Armenian Dances / Hartley: Concerto for 23 Winds / Rogers: Three Japanese Dances
24▶CD: Morton Gould: West Point Symphony / Hovhaness: Symphony No.4 / Giannini: Symphony No.3
25▶CD: Country Gardens and other Favorites by Percy Grainger and Eric Coates
26▶CD: Hands Across The Sea - Marches from Around the World
27▶CD: Frederick Fennell conducts the music of Leroy Anderson and Eric Coates
28▶CD: The Spirit of '76 and Ruffles and Flourishes
29▶CD: Mozart: Serenade No.10 in B-flat, K.361 / Strauss: Serenade in E-flat / Milhaud: Suite Française
30▶CD: Holst: Suites 1 & 2 / Vaughan Williams: Folksong Suite & Toccata Marziale / Mennin / Persichetti / Reed: La Fiesta Mexicana
31▶CD: Hanson conducts Hanson
32▶CD: Morton Gould: Spirituals, Fall River Legend / Samuel Barber: Medea
33▶CD: Charles Ives: Three Places in New England, Symphony No. 3 / William Schuman: New England Triptych / Peter Mennin: Symphony No. 5
34▶CD: Hanson: Symphony No. 3, Elegy in Memory of Serge Koussevitzky, Lament for Beowulf
35▶CD: Howard Hanson Conducts Barber: Capricorn Concerto / Piston: The Incredible Flutist / Griffes: Poem for Flute & Orchestra / McCauley: Five Miniatures for Flute & Strings / Kennan: Three Pieces for Orchestra / Bergsma: Gold & the Señor Commandante
36▶CD: McPhee:Tabuh-Tabuhan / Sessions: The Black Maskers / Thomson: Symphony on a Hymn Tune, The Feast of Love
37▶CD: Douglas Moore: Pageant of P.T. Barnum / John Alden Carpenter: Adventures in a Perambulator / Bernard Rogers: Once Upon a Time / Burrill Phillips: Selections from McGuffey's Reader
38▶CD: Chadwick: Symphonic Sketches / MacDowell: Suite for Large Orchestra / Peter: Sinfonia in G
39▶CD: Music for Quiet Listening
40▶CD: Music for Quiet Listening Vol. 2
41▶CD: Dvorák: Symphony No.9 ("From The New World") / Mozart: Symphony No.38 ("Prague")
42▶CD: Ibert: Escales / Ravel: Rapsodie Espagnole, Alborada del gracioso, Pavane pour une infante défunte, La valse, Le tombeau de Couperin
43▶CD: French Opera Highlights
44▶CD: Saint-Saëns: Symphony No.3 / Paray: Mass for the 500th Anniversary of the Death of Joan of Arc
45▶CD: Chabrier: España, Suite pastorale, Fête polonaise, Overture «Gwendoline», Danse slave, Joyeuse marche, Bourrée fantastique / Roussel: Suite in F
46▶CD: Ravel: Daphnis et Chloé, Suite No.2, Boléro, Valses nobles et sentimentales / Debussy: Three Nocturnes, Petite Suite
47▶CD: Bizet: Carmen Suite, La Patrie Overture, L'arlésienne Suite / Thomas: Mignon & Raymond Overtures
48▶CD: Paul Paray conducts Dances of Death
49▶CD: Debussy: La Mer / Ibéria / Prelude to the Afternoon of a Faun / Ravel: Mother Goose Suite
50▶CD: The Golden Age of Harpsichord Music
51▶CD: Puyana plays Bach
52▶CD: Baroque Masterpieces for Harpsichord
53▶CD: Chopin: Sonata in G minor, Polonaise Brillante / Bartók: First Rhapsody / Mendelssohn: Variations Concertantes / Martinu: Variations on a Theme of Rossini / Debussy: Sonata / Weiner: Hungarian Wedding Dance
54▶CD: Stravinsky: The Rite of Spring
55▶CD: Corigliano: Concerto for Piano and Orchestra / Strauss: Parergon to the Sinfonia Domestica

Credits

Release group

includes:Ancient Dances and Airs for Lute Suites 1, 2 & 3 by Respighi (composer); Philharmonia Hungarica, Antal Doráti (conductor)
Baroque Masterpieces for Harpsichord by Rafael Puyana (harpsichordist)
Bartók: The Miraculous Mandarin, Suite / Kodály: Peacock Variations / Hindemith: Symphonic Metamorphosis / Schoenberg: Five Pieces, op. 16 by Bartók (Béla Bartók, composer), Kodály (Zoltán Kodály, Hungarian composer), Hindemith (German composer, 1895–1963), Schoenberg (Arnold Schoenberg, composer); Chicago Symphony Orchestra, Antal Doráti (conductor), Rafael Kubelík (conductor)
Bizet: Carmen Suite / La Patrie Ouverture / L'Arlésienne Suites 1 & 2 / Thomas: Mignon & Raymond Overtures by Bizet (French composer), Thomas (opera composer); Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Chabrier: España • Suite pastorale • Fête polonaise • Overture "Gwendoline" • Danse slave • Joyeuse marche • Bourrée fantasque / Roussel: Suite in F by Chabrier (composer), Roussel (French composer); Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Chadwick: Symphonic Sketches / MacDowell: Suite for Large Orchestra / Peter: Sinfonia in G by Chadwick, MacDowell (American composer, pianist), Peter; Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Howard Hanson (American composer and conductor)
Concerto for Orchestra / Dance Suite / Two Portraits / Mikrokosmos by Bartók (Béla Bartók, composer); London Symphony Orchestra, Philharmonia Hungarica, Antal Doráti (conductor)
Coppélia (complete ballet) / Sylvia (ballet in three acts) by Delibes (French composer); Minneapolis Symphony, Antal Dorati (conductor), London Symphony Orchestra, Anatole Fistoulari (conductor)
Debussy: La Mer / Ibéria / Prelude to the Afternoon of a Faun / Ravel: Mother Goose Suite by Debussy (Claude Debussy, French composer), Ravel (Maurice Ravel, French composer); Paul Paray (French conductor and composer), Detroit Symphony Orchestra
Doráti Conducts Respighi by Respighi (composer); London Symphony Orchestra, Minneapolis Symphony Orchestra, Antal Doráti (conductor)
French Opera Highlights by Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Gershwin, Copland, Schuller, Bloch by Gershwin (composer), Copland (Aaron Copland, composer), Schuller (US horn player, conductor, composer), Bloch (Swiss-American composer); Minneapolis Symphony Orchestra, Antal Doráti (conductor)
Gould: West Point Symphony / Hovhaness: Symphony no. 4 / Giannini: Symphony no. 3 by Morton Gould (American composer and conductor), Alan Hovhaness (American composer), Vittorio Giannini; Eastman Wind Ensemble, Frederick Fennell (conductor), A. Clyde Roller
Grainger: Lincolnshire Posy / Hill Song no. 2 / Persichetti: Symphony for Band / Khachaturian: Armenian Dances / Hartley: Concerto for 23 Winds / Rogers: Three Japanese Dances by Grainger (Australian composer 1882–1961), Persichetti (American composer), Khachaturian (Aram Khachaturian, Soviet-Armenian composer), Hartley (composer), Rogers (American composer); Eastman Wind Ensemble, Frederick Fennell (conductor)
Hands Across the Sea: Marches From Around the World by Frederick Fennell (conductor), Eastman Wind Ensemble
Hanson Conducts Hanson: Symphony no. 1 «Nordic» / Symphony no. 2 «Romantic» / Song of Democracy by Hanson (American composer and conductor); Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Eastman School of Music Chorus, Howard Hanson (American composer and conductor)
Holst: Suites / Vaughan Williams: Folk Song Suite / Toccata Marziale by Holst (Gustav Holst, composer), Vaughan Williams (Ralph Vaughan Williams, English composer); Frederick Fennell (conductor)
Howard Hanson Conducts Barber, Piston, Griffes, McCauley, Kennan, Bergsma by Eastman‐Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Howard Hanson (American composer and conductor)
Ibert: Escales / Ravel: Rapsodie espagnole / Alborada del gracioso / Pavane pour une infante défunte / La Valse / Le Tombeau de Couperin by Ibert (French composer), Ravel (Maurice Ravel, French composer); Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Ives: Three Places in New England / Symphony no. 3 / Schuman: New England Triptych / Mennin: Symphony no. 5 by Charles Ives (American composer), William Schuman (American composer), Peter Mennin (American composer); Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Howard Hanson (American composer and conductor)
Janos Starker plays Chopin, Mendelssohn, Martinu, Debussy, Bartok, Weiner by János Starker (Hungarian-American cellist), György Sebök (pianist)
McPhee: Tabuh-Tabuhan / Sessions: The Black Maskers / Thomson: Symphony on a Hymn Tune / The Feast of Love by McPhee (Canadian-American composer), Sessions (American composer), Thomson (American composer); Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Howard Hanson (American composer and conductor)
Moore: Pageant of P.T. Barnum / Carpenter: Adventures in a Perambulator / Rogers: Once Upon a Time / Phillips: Selections from McGuffey's Reader by Moore (American composer), Carpenter (American composer), Rogers (American composer), Phillips (American composer); Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Howard Hanson (American composer and conductor)
Morton Gould: Spirituals / Fall River Legend / Samuel Barber: Medea by Morton Gould (American composer and conductor), Samuel Barber (American composer); Howard Hanson (American composer and conductor), Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
Mozart: Serenade no. 10 in B-flat, K. 361 / Strauss: Serenade in E-flat, op. 7 / Milhaud: Suite française by Mozart (Wolfgang Amadeus Mozart, classical composer), Strauss (Richard Strauss, German composer), Milhaud (composer); Eastman Wind Ensemble, Frederick Fennell (conductor)
Mozart: Symphony no. 38 / Dvořák: From the New World by Dvořák (Antonín Dvořák, composer), Mozart (Wolfgang Amadeus Mozart, classical composer); Chicago Symphony Orchestra, Rafael Kubelík (conductor)
Music for Quiet Listening by Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Howard Hanson (American composer and conductor)
Paul Paray Conducts Dances of Death by Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Puyana Plays Bach by Johann Sebastian Bach (German Baroque period composer & musician), Johann Christoph Bach (not a son of J. S. Bach, 1642-1703), Wilhelm Friedemann Bach (German composer); Rafael Puyana (harpsichordist)
Ravel: Daphnis et Chloé, Suite no. 2 / Boléro / Valses nobles et sentimentales / Debussy: Three Nocturnes / Petite Suite by Ravel (Maurice Ravel, French composer), Debussy (Claude Debussy, French composer); Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Saint-Saëns: Symphony no. 3 / Paray: Mass for the 500th Anniversary of the Death of Joan of Arc by Camille Saint‐Saëns (composer), Paul Paray (French conductor and composer); Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Swan Lake by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Antal Dorati (conductor)
Symphonies 5 and 6 "Pastoral" by Beethoven (Ludwig van Beethoven, German composer); London Symphony Orchestra, Antal Doráti (conductor)
Symphony no. 3 / Elegy in Memory of Serge Koussevitzky / Lament for Beowulf by Howard Hanson (American composer and conductor); Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Eastman-Rochester Chorus, Howard Hanson (American composer and conductor)
Symphony no. 4 / Francesca da Rimini by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Antal Dorati (conductor), London Symphony (London Symphony Orchestra)
Symphony no. 6 "Pathétique" / Romeo & Juliet by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); London Symphony Orchestra, Antal Doráti (conductor)
Symphony no. 7 / 'Egmont' / 'Leonore no. 3' / 'Consecration of the House' overtures by Ludwig van Beethoven (German composer); London Symphony Orchestra, Antal Doráti (conductor)
Symphony no. 7 in D minor / Symphony no. 8 in G major by Dvořák (Antonín Dvořák, composer); London Symphony Orchestra, Antal Doráti (conductor)
The Spirit of '76 / Ruffles and Flourishes by Frederick Fennell (conductor), Members of the Eastman Wind Ensemble
The Wooden Prince / Music for Strings, Percussion, and Celesta by Bartók (Béla Bartók, composer); London Symphony Orchestra, Antal Doráti (conductor)
Widor: Allegro (from Symphony no. 6) / Salve Regina / Franck: Pièce héroïque / Three Chorales by Widor (Charles‐Marie Widor, French organist, composer and teacher), Franck (César Franck, Belgian‐born French composer); Marcel Dupré (French organist and composer)