Rodrigo: Concierto de Aranjuez / Falla: El Sombrero de tres Picos

~ Release by Rodrigo; Falla; Alfonso Moreno, Enrique Bátiz, Victoria de los Ángeles, Carlo Maria Giulini, André Previn (see all versions of this release, 1 available)

Tracklist

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1▼CD: Rodrigo: Concierto de Aranjuez / Turina / Falla
#TitleArtistRatingLength
1Concierto de Aranjuez: Allegro con spirito
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1981-08)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquin Rodrigo5:48
2Concierto de Aranjuez: Adagio
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1981-08)
recording of:
Concierto de Aranjuez: II. Adagio (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquin Rodrigo10:30
3Concierto de Aranjuez: Allegro gentile
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1981-08)
recording of:
Concierto de Aranjuez: III. Allegro gentile (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquin Rodrigo4:51
4Danzas Fantásticas: Exaltación
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
Danzas fantásticas, op. 22, nº 1: Exaltación (for orchestra)
orchestrator:
Joaquín Turina (Spanish composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (Spanish composer) (from 1919-08-11 until 1919-08-29)
arrangement of:
Danzas fantásticas, op. 22, nº 1: Exaltación (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina5:44
5Danzas Fantásticas: Ensueño
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
Danzas fantásticas, op. 22, nº 2: Ensueño (for orchestra)
orchestrator:
Joaquín Turina (Spanish composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (Spanish composer) (from 1919-08-11 until 1919-08-29)
arrangement of:
Danzas fantásticas, op. 22, nº 2: Ensueño (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina7:07
6Danzas Fantásticas: Orgía
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
Danzas fantásticas, op. 22, nº 3: Orgía (for orchestra)
orchestrator:
Joaquín Turina (Spanish composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (Spanish composer) (from 1919-08-11 until 1919-08-29)
arrangement of:
Danzas fantásticas, op. 22, nº 3: Orgía (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina4:09
7Nights in the Gardens of Spain: En el Generalife; Allegretto tranquillo e misterioso
engineer and producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Aldo Ciccolini (pianist) (from 1984-05-09 until 1984-05-10)
orchestra:
Royal Philharmonic Orchestra (from 1984-05-09 until 1984-05-10)
conductor:
Enrique Bátiz (conductor and pianist) (from 1984-05-09 until 1984-05-10)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (from 1984-05-09 until 1984-05-10)
recording of:
Noches en los jardines de España: I. En el Generalife (from 1984-05-09 until 1984-05-10)
composer:
Manuel de Falla (Spanish composer) (from 1909 until 1916)
publisher:
Max Eschig
part of:
Noches en los jardines de España (Nights in the Gardens of Spain)
Manuel de Falla10:25
8Nights in the Gardens of Spain: Danza lejana; Allegretto giusto
piano:
Aldo Ciccolini (pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
Noches en los jardines de España: II. Danza lejana
composer:
Manuel de Falla (Spanish composer)
publisher:
Max Eschig
part of:
Noches en los jardines de España (Nights in the Gardens of Spain)
Manuel de Falla5:18
9Nights in the Gardens of Spain: En los jardines de la Sierra de Córdoba; Vivo
piano:
Aldo Ciccolini (pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
Noches en los jardines de España: III. En los jardines de la sierra de Córdoba
composer:
Manuel de Falla (Spanish composer)
publisher:
Max Eschig
part of:
Noches en los jardines de España (Nights in the Gardens of Spain)
Manuel de Falla8:04
2▼CD: Falla: El sombrero de tres picos / Falla: El amor brujo / Ravel
#TitleArtistRatingLength
1El sombrero de tres picos: Introduction y tarde
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
El sombrero de tres picos: Introducción
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:18
2El sombrero de tres picos: Danza de la molinera
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
El sombrero de tres picos: Parte I. Danza de la molinera (Fandango)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla3:54
3El sombrero de tres picos: Danza de los vecinos
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
El sombrero de tres picos: Parte II. Danza de los vecinos (Seguidillas)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla3:16
4El sombrero de tres picos: Danza del molinero
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:39
5El sombrero de tres picos: Danza final
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
El sombrero de tres picos: Parte II. Danza final (Jota)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla6:11
6El amor brujo: Introduction y escena
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: I. Introducción (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla0:33
7El amor brujo: En la cueva
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: II. En la cueva (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:20
8El amor brujo: Canción del amor dolido
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: III. Canción del amor dolido (from 1961-10-16 until 1961-10-17)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:38
9El amor brujo: El aparecido
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: IV. El aparecido (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla0:14
10El amor brujo: Danza del terror
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: V. Danza del terror (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:02
11El amor brujo: El circulo magico
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador) (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:44
12El amor brujo: A medianoche
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: VII. A medianoche (Los sortilegios) (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla0:31
13El amor brujo: Danza rituel del fuego
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: VIII. Danza ritual del fuego (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:11
14El amor brujo: Escena
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: IX. Escena (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:07
15El amor brujo: Canción del fuego fatuo
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: X. Canción del fuego fatuo (from 1961-10-16 until 1961-10-17)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:32
16El amor brujo: Pantomima
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: XI. Pantomima (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:40
17El amor brujo: Danza del juego del amor
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: XII. Danza del juego del amor (from 1961-10-16 until 1961-10-17)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:59
18El amor brujo: Final (Les campana del amanecer)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer), Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-10-16 until 1961-10-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-10-16 until 1961-10-17)
conductor:
Carlo Maria Giulini (conductor) (from 1961-10-16 until 1961-10-17)
recording of:
El amor brujo: XIII. Final (Las campanas del amanecer) (from 1961-10-16 until 1961-10-17)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:20
19Rapsodie Espagnole: Prélude à la nuit
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (on 1985-11-30, on 1985-12-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1985-11-30, on 1985-12-04)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (on 1985-11-30, on 1985-12-04)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel4:30
20Rapsodie Espagnole: Malagueña
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (on 1985-11-30, on 1985-12-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1985-11-30, on 1985-12-04)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (on 1985-11-30, on 1985-12-04)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: II. Malagueña. Assez vif (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel2:06
21Rapsodie Espagnole: Habanera
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (on 1985-11-30, on 1985-12-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1985-11-30, on 1985-12-04)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (on 1985-11-30, on 1985-12-04)
recording of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel2:55
22Rapsodie Espagnole: Feria
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (on 1985-11-30, on 1985-12-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1985-11-30, on 1985-12-04)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (on 1985-11-30, on 1985-12-04)
recording of:
Rapsodie espagnole: IV. Feria. Assez animé (orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: IV. Feria. Assez animé (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel6:28