101 More Housework Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleArtistRatingLength
1TiK ToK
miscellaneous support:
Gary "G" Silver (task: production coordination) and Vanessa Silberman (task: production assistance)
programming and producer:
benny blanco (producer Benjamin Levin) and Dr. Luke
assistant engineer:
Tatiana Gottwald
engineer:
benny blanco (producer Benjamin Levin), Sam Holland (sound engineer) and Emily Wright
assistant mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
editor:
Emily Wright (lead vocals [vocal])
drums (drum set) [drums] and keyboard [keyboards]:
benny blanco (producer Benjamin Levin) and Dr. Luke
phonographic copyright (℗) by:
RCA/Jive Label Group (holding company, not a release label) (in 2009) and RCA Records (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 2025)
produced for:
Kasz Money Productions, Inc.
mixed at:
MixStar Studios in Virginia Beach, United States
engineered at:
Conway Recording Studios in Hollywood, United States
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 1), Billboard: Greatest of All Time Hot 100 Songs (number: 68) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 149)
recording of:
TiK ToK
writer:
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald and Kesha Sebert (Kesha, American singer fka Ke$ha)
publisher:
Dynamite Cop Music, Kasz Money Publishing (ASCAP affiliated), Matza Ball Music and Where da Kasz At
Ke$ha3.93:22
2Last Friday Night (T.G.I.F.)
programming and producer:
Dr. Luke and Max Martin (Swedish record producer)
assistant engineer:
Tucker Bodine, Tatiana Gottwald and Tim Roberts (engineer)
engineer:
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) and Emily Wright
mixer:
Serban Ghenea and Katy Perry
drums (drum set) and keyboard:
Dr. Luke and Max Martin (Swedish record producer)
saxophone:
Lenny Pickett (saxophone)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recorded at:
Conway Recording Studios in Hollywood, United States and Playback Recording Studio in Santa Barbara, United States
mixed at:
MixStar Studios in Virginia Beach, United States
music videos:
Last Friday Night (T.G.I.F.) (music video) by Katy Perry
part of:
Billboard Year-End Hot 100 singles of 2011 (number: 14) and BILLIONS CLUB
recording of:
Last Friday Night (T.G.I.F.)
writer:
Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee and Katy Perry
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Copyrights SARL, MXM Music AB, Prescription Songs, Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), Kasz Money Publishing (ASCAP affiliated) (in 2010), Maratone AB (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) and Where da Kasz At (in 2010)
Katy Perry4.353:55
3Raining Diamonds
recording engineer and producer:
Dave Schuler (in 2011)
mixer:
Véronica Ferraro (in 2011)
recording of:
Raining Diamonds (in 2011)
writer:
Dave Schuler (in 2011), Billy Mann (US songwriter/producer) (in 2011) and Ricki‐Lee (in 2011)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) (in 2011)
Ricki‐Lee3:07
4Shake It
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2007)
music videos:
Shake It by Metro Station
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 13) and Billboard Year-End Hot 100 singles of 2008 (number: 32)
recording of:
Shake It
writer:
Trace Cyrus, Anthony Improgo, Mason Musso and Timothy Blake Healy
Metro Station3.73:02
5My Life Would Suck Without You
programming:
Dr. Luke
assistant engineer:
Aniela Gottwald and Kooolkojak
engineer:
Sam Holland (sound engineer) and Emily Wright
additional producer:
Claude Kelly
producer:
Dr. Luke and Max Martin (Swedish record producer)
mixer:
Serban Ghenea
editor:
Emily Wright
bass guitar [bass] and drums (drum set) [drums]:
Dr. Luke
guitar [guitars] and synthesizer [synths]:
Dr. Luke and Max Martin (Swedish record producer)
vocals:
Kelly Clarkson
phonographic copyright (℗) by:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (from 2009 to present)
mixed at:
MixStar Studios in Virginia Beach, United States
engineered at:
Conway Recording Studios in Hollywood, United States
music videos:
My Life Would Suck Without You by Kelly Clarkson
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 23)
recording of:
My Life Would Suck Without You
lyricist:
Łukasz Gottwald, Claude Kelly and Max Martin (Swedish record producer)
composer:
Łukasz Gottwald and Max Martin (Swedish record producer)
Kelly Clarkson3.953:34
6Leave Me Alone (I’m Lonely)
producer:
Butch Walker
phonographic copyright (℗) by:
Zomba Recording, LLC (in 2006)
edit of:
Leave Me Alone (I’m Lonely) (explicit) by P!nk (American singer/songwriter)
recording of:
Leave Me Alone (I’m Lonely) (in 2006)
lyricist and composer:
Alecia Moore (American singer/songwriter) and Bradley Walker
P!nk33:21
7Tonight, TonightHot Chelle Rae3.853:20
8I’m Outta Love (radio edit)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
edit of:
I’m Outta Love (album version) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
recording of:
I’m Outta Love
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3:49
9Toxic
recording engineer, programming, producer and editor:
Bloodshy and Avant
assistant engineer:
J. D. Andrew and Jonas Östman
mixer:
Niklas Flyckt
bass:
Tomas Lindberg (Swedish bass player)
guitar:
Henrik Jonback (Swedish producer, engineer, songwriter, guitarist)
other instruments:
Bloodshy and Avant
strings:
Stockholm Session Strings
background vocals:
Blackcell (Mathias Johansson, songwriter and producer), Cathy Dennis and Emma Holmgren
background vocals and lead vocals:
Britney Spears
conductor:
Janson+Janson
strings arranger:
Janson+Janson
arranger:
Bloodshy and Avant and Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
phonographic copyright (℗) by:
Zomba Recording LLC (in 2003)
recorded at:
Murlyn Studios in Stockholm and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States
mixed at:
KhaBang Studio in Stockholm
music videos:
Toxic by Britney Spears and Toxic (karaoke) by Britney Spears
a cappella versions:
Toxic (L∆VINCi Remix) by L∆VINCi (LAVINCi) feat. Britney Spears
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 1), Grammy Award: Best Dance/Electronic Recording nominees (number: 2005 winner), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 53), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 114) and BILLIONS CLUB
recording of:
Toxic
writer:
Cathy Dennis, Henrik Jonback (Swedish producer, engineer, songwriter, guitarist), Christian Karlsson (Swedish producer, remixer, songwriter, DJ, piano, guitar) and Pontus Winnberg (Swedish composer, lyricist, producer, engineer, multi-instrumentalist)
publisher:
Colgems-EMI Music Inc., Murlyn Songs AB and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Britney Spears4.13:21
10Hey Baby (Drop It to the Floor)
guest vocals:
T‐Pain
performer:
T‐Pain
recording of:
Hey Baby (Drop It to the Floor)
Pitbull feat. T‐Pain3.153:27
11Bounce
producer:
Calvin Harris (Scottish DJ and producer)
instruments:
Calvin Harris (Scottish DJ and producer)
guest vocals:
Kelis
arranger:
Calvin Harris (Scottish DJ and producer)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2011)
recorded at:
Fly Eye Studios (London) in London (Greater London)
recording of:
Bounce
lyricist and composer:
Adam Wiles (Scottish DJ and producer)
publisher:
EMI Publishing
Calvin Harris feat. Kelis3.53:45
12She Wolf
producer:
John Hill (producer and songwriter, aka Johnny Rodeo)
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 64)
recording of:
She Wolf
writer:
Sam Endicott, John Hill (producer and songwriter, aka Johnny Rodeo) and Shakira (Colombian singer-songwriter)
Shakira3.83:10
13Hey Ya!
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon and Pete Novak
programming and producer:
André 3000
mixer:
Neal Pogue (mix engineer)
acoustic guitar and keyboard and lead vocals:
André 3000
keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
music videos:
Hey Ya! by OutKast
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 14), Triple J’s Hottest 100: Twenty Years (2013) (number: 18), VH1’s Big Song of 2003 (number: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 180) and Indie 88: Top 500 Indie Rock Songs (number: 198)
recording of:
Hey Ya!
lyricist and composer:
André Benjamin
publisher:
Chrysalis Music, Inc. and Gnat Booty
OutKast43:57
14These Words
producer:
Andrew Frampton, Steve Kipner and Wayne Wilkins
lead vocals:
Natasha Bedingfield
remixer:
Manny Marroquin
phonographic copyright (℗) by:
Sony BMG Music Publishing (UK) Limited (SM Publishing (UK) Limited, Sony Music, 2009–2020) (in 2004)
recording of:
These Words (I Love You, I Love You)
writer:
Natasha Bedingfield, Andrew Frampton, Steve Kipner and Wayne Wilkins
Natasha Bedingfield3.33:38
15Burn
programming:
Jonas Jeberg (in 2008)
additional producer:
Audius Mtawarira (in 2008)
producer:
Cutfather (in 2008) and Jonas Jeberg (in 2008)
mixer:
Mads Nilsson (in 2008)
instruments:
Jonas Jeberg (in 2008)
recording of:
Burn (in 2008)
writer:
Taj Jackson, Jonas Jeberg and Mich Hansen
Jessica Mauboy32:56
16What a Girl WantsChristina Aguilera3:38
17All to Myself (radio mix)
recording of:
All to Myself (in 2009)
writer:
Carl Dimataga and Guy Sebastian
Guy Sebastian3:42
18Happiness
samples:
Brazil (2nd edit) (part of “Random Album Title” continuous mix) by deadmau5
recording of:
Happiness
writer:
Mikkel Storleer Eriksen, Tor Erik Hermansen, Autumn Rowe and Joel Zimmerman (performs as deadmau5)
revision of:
Brazil
Alexis Jordan3.354:06
19Amazing
producer:
George Michael
recording of:
Amazing
writer:
Jon Douglas and George Michael
George Michael44:29
20The Fear
recording engineer, programming, audio engineer, producer and mixer:
Greg Kurstin
bass, guitar and keyboard:
Greg Kurstin
lead vocals:
Lily Allen
recorded at:
Kingsize Soundlabs in Eagle Rock, United States, Lypiatt Park in Gloucestershire, Olympic Studios (1966–2009) in Barnes and The Premises Studios in Hoxton
mixed at:
Echo Studio in Los Feliz, United States
music videos:
The Fear (promo video) by Lily Allen
recording of:
The Fear
lyricist and composer:
Lily Allen and Greg Kurstin
publisher:
EMI April Music Inc., Kurstin Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lily Allen4.153:31
21Hey, Soul Sister
recording engineer:
Amund Bjørklund, Bryan Cook (US engineer), Dyre Gormsen, Espen Lind and Ross Peterson (studio professional)
assistant engineer:
Ian Hill (UK bassist for Judas Priest)
additional producer:
Gregg Wattenberg
producer:
Espionage (NY-based Norwegian songwriting/production team) and Martin Terefe
additional bass guitar:
Martin Terefe
additional Hammond organ:
Jerry Becker
additional keyboard:
Claes Björklund
additional keyboard and ukulele:
Espen Lind
part of:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 3) and Billboard Year-End Hot 100 singles of 2010 (number: 3)
recording of:
Hey, Soul Sister
writer:
Amund Bjørklund, Espen Lind and Pat Monahan
Train4.153:37
2CD
#TitleArtistRatingLength
1Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:48
2I’m So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:54
3Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Irene Cara and Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:58
4Working for the Weekend
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Rob Porter
engineer:
Bob Rock and Keith Stein
producer:
Paul Dean (Canadian guitarist) and Bruce Fairbairn
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
drums (drum set):
Matt Frenette
guitar and background vocals:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Mushroom Studios in Vancouver
mixed at:
Little Mountain Sound in Vancouver
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 100)
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy4.23:42
5Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London) (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart (from 1980 until 1981) and The Lodge Recording Studio in Northampton (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, RAK Studios in London (Greater London) and Studio 77 in Stuttgart
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.13:29
6She Bop
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, United States
recording of:
She Bop
writer:
Rick Chertoff, Gary Corbett, Cyndi Lauper and Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), ATV/Sony Songs, LLC, Concord Copyrights (BMI), Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music (publisher), Rellla Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Wall to Wall Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 15)
Cyndi Lauper4.13:51
7The Reflex (7″ version)
producer:
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) and Alex Sadkin
mixer:
Jason Corsaro (U.S. music engineer, and record producer) and Nile Rodgers
remixer:
Jason Corsaro (U.S. music engineer, and record producer) and Nile Rodgers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1998)
edit of:
The Reflex by Duran Duran (English rock band)
recording of:
The Reflex
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) and Gloucester Place Music Ltd.
Duran Duran3.854:25
8We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:56
9When Tomorrow Comes
recording engineer:
Jon Bavin
assistant engineer:
Fred Defaye and Serge Pauchard
engineer:
Jon Bavin and Emmanuel Guiot (sound engineer)
producer:
Dave A. Stewart (UK guitarist/singer for Eurythmics)
mixer:
Jon Bavin and Manu Guiot (sound engineer)
bass guitar:
John McKenzie (English blues bassist)
drums (drum set):
Clem Burke
guitar:
Dave A. Stewart (UK guitarist/singer for Eurythmics)
keyboard:
Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
saxophone:
Jimmy Z (harmonica & sax player James Zavala)
lead vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
conductor:
Michael Kamen (American score composer)
orchestrator:
Michael Kamen (American score composer)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1986, in 1991) and RCA/Ariola Ltd. (in 1986)
mixed at:
Studio de la Grande Armée in Paris, Île-de-France, France
remasters:
When Tomorrow Comes by Eurythmics
recording of:
When Tomorrow Comes
orchestrator:
Michael Kamen (American score composer)
lyricist and composer:
Dave Stewart (UK guitarist/singer for Eurythmics), Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and RCA Music Ltd. (publisher)
Eurythmics3.654:30
10I’m Your Man
producer:
George Michael
arranger:
George Michael
music videos:
I’m Your Man by Wham! (British pop-duo) and I’m Your Man by Wham! (British pop-duo)
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 8)
recording of:
I'm Your Man
lyricist and composer:
George Michael
Wham!44:04
11Heaven (Must Be There)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (2004–2008) and Nostata Pty. Limited (in 1983, in 1984)
recording of:
Heaven (Must Be There)
lyricist and composer:
Bernie Lynch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orient Pacific Music Pty. Ltd. and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Eurogliders33:42
12I Knew You Were Waiting (for Me)
recording engineer:
David Frazer (engineer) (in 1986)
percussion programming:
Preston Glass (in 1986)
synthesizer programming:
Walter Afanasieff (in 1986)
additional assistant engineer:
Stuart Hirotsu, Mike Iacopelli (engineer), Gordon Lyon, Lennete Viegas and Jim Watts (engineer)
additional engineer:
Dana Jon Chappelle and Maureen Droney
producer:
George Michael and Narada Michael Walden
mixer:
David Frazer (engineer) and Serban Ghenea
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
drums (drum set):
Narada Michael Walden (in 1986)
electric guitar:
Corrado Rustici (in 1986)
percussion and tambourine:
Greg “Gigi” Gonaway (in 1986)
synthesizer:
Walter Afanasieff (in 1986)
additional vocals:
Aretha Franklin (in 1986)
background vocals:
Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (English actress, singer-songwriter) (in 1986), Myrna Matthews (in 1986) and Claytoven Richardson (in 1986)
lead vocals:
Aretha Franklin (in 1986) and George Michael (in 1986)
vocals:
Aretha Franklin (in 1986)
strings arranger:
Jerry Hey
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986), Arista Records, LLC (holding company - file NO releases here!) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
mixed at:
MixStar Studios in Virginia Beach, United States
recording of:
I Knew You Were Waiting (for Me) (in 1986)
writer:
Simon Climie and Dennis Morgan (US songwriter)
publisher:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs (BMI), Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Aretha Franklin & George Michael3.84:03
13Maneater
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (2004–2008) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
14Dangerous
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-05)
classical guitar:
Erik Borelius (in 1988-05)
drums (drum set):
Pelle Alsing (in 1988-05)
guitar:
Jonas Isacsson (in 1988-05)
harmonica:
Jalle Lorensson (in 1988-05)
keyboard:
Clarence Öfwerman (in 1988-05)
saxophone:
Erik Häusler (in 1988-05)
slide guitar:
Janne Oldaeus (in 1988-05)
talkbox:
Henrik Janson (in 1988-05)
background vocals:
Marie Fredriksson (in 1988-05), Per Gessle (Swedish singer and guitarist) (in 1988-05) and Clarence Öfwerman (in 1988-05)
lead vocals:
Marie Fredriksson (in 1988-05) and Per Gessle (Swedish singer and guitarist) (in 1988-05)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!) (in 1989)
recorded at:
EMI Studios in Stockholm (in 1988-05)
mixed at:
EMI Studios in Stockholm
recording of:
Dangerous (in 1988-05)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette33:51
15Steamy Windows
engineer:
Chris Lord‐Alge
producer:
Dan Hartman
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Steamy Windows
lyricist and composer:
Tony Joe White
publisher:
EMI Songs Ltd. and Tony Joe White Music
Tina Turner3.254:06
16What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Nemperor Records, Inc. (in 1979)
recorded at:
Coconut Recording in Miami, United States (in 1979-10)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 483)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) and Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
Freaky Friday (2003)
The Romantics4.552:57
17Hit Me With Your Best Shot
engineer:
Chris Minto (engineer) and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer)
bass:
Roger Capps
drums (drum set):
Myron Grombacher
guitar:
Scott St. Clair Sheets
guitar and keyboard:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
background vocals:
Roger Capps and Neil Giraldo (multi-instrumentalist, songwriter, producer)
background vocals and lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1980, in 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records, Inc. (not for release label use!) (in 1981)
recording of:
Hit Me With Your Best Shot
lyricist and composer:
Eddie Schwartz
publisher:
ATV Music Publishing of Canada Ltd., Round Hill Songs and Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:53
18Dr. Beat
lead vocals:
Gloria Estefan
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
lyricist and composer:
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. and Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:23
19I Feel the Earth Move
drums (drum set) [drum programming] programming:
Michael Jay (producer/engineer) (from 1988-04 until 1988-05)
assistant engineer:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) and Karen Siegel (engineer)
engineer and mixer:
Michael McDonald (engineer)
producer:
Michael Jay (producer/engineer)
additional keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (from 1988-04 until 1988-05)
guitar:
Don Kirkpatrick (guitarist/songwriter) (from 1988-04 until 1988-05)
keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (from 1988-04 until 1988-05)
background vocals:
Donna DeLory (from 1988-04 until 1988-05), Rick Jude Palombi (from 1988-04 until 1988-05) and Mona Lisa Young (US funk / soul singer) (from 1988-04 until 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) and Martika (American singer‐songwriter and actress)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
recorded at:
Trax Recording Studio in Hollywood, United States (from 1988-04 until 1988-05)
mixed at:
Garden Rake Studio in Studio City, United States
cover recording of:
I Feel the Earth Move (from 1988-04 until 1988-05)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Screen Gems–EMI Music Ltd. (in 1988)
Martika24:14
20Together in Electric Dreams
producer:
Giorgio Moroder and Philip Oakey
mixer:
Brian Reeves
bass:
Arthur Barrow
guitar:
Richie Zito
synthesizer:
Giorgio Moroder
background vocals:
E.G. Daily (American singer and actress) and Joe Esposito
lead vocals:
Philip Oakey
recording of:
Together in Electric Dreams
lyricist:
Philip Oakey
composer:
Giorgio Moroder
publisher:
BMG Gold Songs and WB Music Corp. (1929–2019)
Philip Oakey & Giorgio Moroder2.53:55
3CD
#TitleArtistRatingLength
1Mambo No 5 (A Little Bit of…)
co-producer:
Lou Bega and Zippy (Christian Königseder)
producer:
D. Fact and Frank Lio
instruments:
D. Fact and Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
contains samples by:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) and Lautstark (in 1999)
produced for:
Syndicate
samples:
Mambo No. 5 by Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
lyricist:
Lou Bega and Zippy (Christian Königseder)
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag and Peermusic (Germany) GmbH
is based on:
Mambo No. 5 (original, 1949)
Lou Bega3.753:44
2Opposites Attract (7″ edit)
producer:
Oliver Leiber
recording of:
Opposites Attract
lyricist and composer:
Oliver Leiber
Paula Abdul & The Wild Pair43:52
3Moving On Up
producer and mixer:
M People
recording of:
Moving On Up
writer:
Heard and Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Ltd. (PRS‐affiliated)
M People33:38
4Let’s Groove
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1995)
cover recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
CDB4:19
5Tragedy
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
bass and guitar:
Mark Topham
drums (drum set) [drums]:
Chris McDonnell (engineer)
keyboard:
Karl Twigg
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester and PWL Studios (London) in London (Greater London)
cover recording of:
Tragedy
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) and Warner/Chappell (Warner/Chappell Music, Inc.)
Steps3.44:33
6You Promised Me (Tu es foutu) (radio edit)
In‐Grid3:39
7Feel It (radio version)
guest lead vocals:
Maya (US singer Laura Dias, worked with The Tamperer)
performer:
Maya (US singer Laura Dias, worked with The Tamperer)
recording of:
Feel It
writer:
Steve Gittelman, Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”) and R. James Dyke
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Can You Feel It
The Tamperer featuring Maya3:15
82 Times (original edit mix)
producer:
Larry Pignagnoli and Marco Soncini
recorded at and mixed at:
Off Linits Rec. Studios (RE) in Italy
edit of:
2 Times (extended version) by Ann Lee (British/ Italian Euro-Dance/ Italo-Dance artist)
recording of:
2 Times
writer:
Daniela Galli (Italian singer and songwriter), Annerley Gordon, Paul Sears (Dance music producer) and Larry Pignagnoli
publisher:
B. Mikulski Publ. (Bernhard Mikulski Publishing)
Ann Lee3.253:52
9Gimme Gimme
recording of:
Gimme Gimme
writer:
Annerley Gordon, Paul Sears (Dance music producer) and Davide Riva
Whigfield4:03
10Another Night (radio edit)
producer:
Olaf Jeglitza, Quickmix and Jürgen Wind
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 484)
recording of:
Another Night
writer:
Frank Hassas, Olaf Jeglitza and Jürgen Wind
publisher:
Diamond Cut and Universal Music Corp. (USA, affiliated with ASCAP)
Real McCoy4.53:59
11Feels Like Heaven
additional engineer:
Andrew Greasley (Engineer)
additional producer:
Johnny Jay (Development Corporation)
vocals:
Diane Charlemagne
performer:
Urban Cookie Collective
additionally recorded at:
Peer Studios in London (Greater London)
engineered at:
Moonraker Studios in Manchester
recording of:
Feels Like Heaven
lyricist and composer:
Rohan Heath
Urban Cookie Collective3:35
12Everybody’s Free (to Feel Good)
producer:
3MI and Band of Gypsies (house duo Nigel Swanston & Tim Cox)
mixer:
Band of Gypsies (house duo Nigel Swanston & Tim Cox)
arranger:
3MI
vocals arranger:
Rozalla
recording of:
Everybody’s Free (to Feel Good)
composer:
Tim Cox and Nigel Andrew Swanston
publisher:
Peermusic (UK) Limited
Rozalla43:39
13Turn Around
producer and mixer:
Phats & Small
performer:
Toney Lee (US singer/songwriter/producer, known for “Reach Up”)
phonographic copyright (℗) by:
Multiply Records (in 1999)
samples:
Reach Up by Toney Lee (US singer/songwriter/producer, known for “Reach Up”), Reach Up by Toney Lee (US singer/songwriter/producer, known for “Reach Up”) and The Glow of Love by Change (80s pop/disco band)
recording of:
Turn Around
writer:
Wayne Garfield, Toney Lee (US singer/songwriter/producer, known for “Reach Up”), Mauro Malavasi, Eric Matthew (songwriter, engineer, producer, record label owner, = Joe Tucci) and Davide Romani
Phats & Small3.353:36
14I Like Love (I Love Love)
Solitaire3:50
15Out of Touch (radio edit)
recording engineer:
Jinian Wilde (lead vocals)
producer and mixer:
Paul Keenan and Daz Sampson
lead vocals:
Jinian Wilde
phonographic copyright (℗) by:
Gut Records Ltd. (company credits only; do NOT use as release label) (in 2004)
mixed for and produced for:
Sporting Riff Raff Productions
music videos:
Out of Touch by Uniting Nations
cover recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Uniting Nations3.52:34
16Lola’s Theme (radio edit)
producer:
The Shapeshifters (UK electronic group, aka Shape:UK, and Shapeshifters)
bass:
Simon Marlin
keyboard:
Simon Marlin and Max Reich
background vocals:
Nate James and Karen Poole
lead vocals:
Cookie (featured vocalist with Shapeshifters)
phonographic copyright (℗) by:
Nocturnal Groove Ltd. (in 2004)
recording of:
Lola’s Theme
lyricist:
Karen Poole
writer:
Gianni Bini, Sylvia Macura, Simon Marlin, Patrick Moten (producer, arranger, writer, pianist, keyboardist and synthesizer player), Fulvio Perniola, Karen Poole and Max Reich
publisher:
AFP-Sony ATV, BMG Platinum Songs (Rosetta), Brightsail, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Virgin Songs, Inc., Kassner Associated Publishers, Nocturnal Groove, Pay Back Publishing Company, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, Spaced Hands Music, Supreme Songs Ltd, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
What About My Love
quotes lyrics from:
Love Me Tonight
The Shapeshifters3.53:29
17I Say a Little Prayer (Reggae mix)
Diana King3:37
183 Is Family (radio version)
vocals:
Dana Dawson
recording of:
3 Is Family
lyricist and composer:
Billy Mann (US songwriter/producer)
Dana Dawson2.653:39
19Your Woman
producer:
Jyoti Mishra
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
samples:
My Woman by Lew Stone & His Monseigneur Band
part of:
Indie 88: Top 500 Indie Rock Songs (number: 408)
recording of:
Your Woman
lyricist:
Bing Crosby and Irving Wallman
composer:
Jyoti Mishra, Irving Wallman and Max Wartell
is based on:
My Woman
White Town4.14:22
20My Friend (radio edit)
recording of:
My Friend
writer:
Richard Cornwell, Keith Crouch, Bill Curtis (The Fatback Band) and Glenn McKinney
Groove Armada34:00
4CD
#TitleArtistRatingLength
1That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:07
2Shake Your Body (Down to the Ground)
recorded in:
Los Angeles, United States (in 1978-08)
drums (drum set):
Ed Green (US violinist/percussionist) (in 1978-08)
guitar:
Tito Jackson (in 1978-08)
keyboard and synthesizer:
Mike Boddicker (in 1978-08) and Greg Phillinganes (in 1978-08)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1978-08)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1978-08), Marlon Jackson (in 1978-08), Randy Jackson (brother of Michael and Janet) (in 1978-08) and Tito Jackson (in 1978-08)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978-08)
recording of:
Shake Your Body (Down to the Ground) (in 1978-08)
lyricist and composer:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
publisher:
Mijac Music, Peacock Music Publishing Company, Ranjack Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons4.253:47
3Gotta Go Home
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
recording of:
Gotta Go Home
lyricist:
Jürgen Huth and Fred Jay
composer:
Frank Farian and Heinz Huth
is based on:
Hallo Bimmelbahn
Boney M.22:35
4Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
edit of:
Got to Be Real (LP / 12" version) by Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music (publisher)
Cheryl Lynn4.53:47
5Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (2004–2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3.33:58
6Love Really Hurts Without You
producer:
Ben Findon (songwriter and producer)
vocals:
Billy Ocean
conductor:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:07
7Born to Be Alive (radio edit)
edit of:
Born to Be Alive by Patrick Hernandez
recording of:
Born to Be Alive
lyricist and composer:
Patrick Hernandez
Patrick Hernandez3:22
8Ring My Bell
recording of:
Ring My Bell (Anita Ward song) (in 1979)
lyricist and composer:
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. and Universal Music Publishers MGB Australia Pty Ltd
Anita Ward2.54:13
9Gonna Get Along Without You Now (edit)
cover recording of:
Gonna Get Along (Without Ya Now)
lyricist and composer:
Milton Kellem
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Viola Wills13:22
10Baby I’m Burnin’
vocals:
Dolly Parton
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1978)
recording of:
Baby I’m Burnin’
lyricist and composer:
Dolly Parton
publisher:
Velvet Apple Music
Dolly Parton3.652:37
11Devil Woman
producer:
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976, in 2001)
cover recording of:
Devil Woman
writer:
Terry Britten and Kristine Sparkle (UK singer and songwriter)
publisher:
Mushroom Music Pty. Ltd. and Warner/Chappell Music Australia Pty. Ltd.
Cliff Richard53:36
12It’s Raining Men
mixer:
Randy Tominaga
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 36)
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:33
13You’ll Always Find Me in the Kitchen at Parties
producer:
Bob Andrews (keyboardist and producer) and Jona Lewie
phonographic copyright (℗) by:
Stiff Records (in 1980) and Stiff Records Ltd. (in 1980)
recording of:
(You’ll Always Find Me in the) Kitchen at Parties
writer:
Jona Lewie and Keith Trussell
publisher:
Imagem London Ltd. and Street Music Ltd.
Jona Lewie3.23:04
14The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, United States (in 1980) and United Western Recorders in Hollywood, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:44
15Church of the Poison Mind
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar and piano:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
harmonica:
Judd Lander
organ:
Phil Pickett (songwriter, producer, keyboard player)
saxophone:
Steve Grainger (saxophonist)
trumpet:
Terry Bailey (trumpeter)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (from 1983 to present, in 1983, in 2003) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1983)
produced for:
Do Not Erase Productions
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London) (in 1983) and Red Bus Studios in London (Greater London) (in 1983)
music videos:
Church of the Poison Mind by Culture Club (English pop group)
recording of:
Church of the Poison Mind (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd. (from 1983 to present)
Culture Club3.53:33
16Pop MuzikM3:19
17The Clapping Song
engineer:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) and Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
cover recording of:
The Clapping Song
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation and EMI Al Gallico Music Corp.
The Belle Stars3:17
18Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.53:07
19Reet PetiteJackie Wilson42:45
20That’s What I Like
recording of:
That’s What I Like (Jive Bunny & the Mastermixers medley)
medley of:
Hawaii Five‐O
medley of:
Let’s Twist Again
medley of:
Let’s Dance
medley of:
Wipe Out
medley of:
Great Balls of Fire
medley of:
Johnny B. Goode
medley of:
Good Golly Miss Molly
medley of:
The Twist
medley of:
Chantilly Lace
medley of:
Runaround Sue
medley of:
Summertime Blues
medley of:
Razzle Dazzle
Jive Bunny & the Mastermixers4:02
5CD

Credits

Release group

part of:101 Hits (Australian compilation series) (number: More Housework Songs) (order: 19)